Words – March 2015

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Second #HOTGV podcast and additional podcasting notes

Heard on the Grape Vine update

It’s been a little over a month since the first episode of Heard on the Grape Vine went out and, despite some technical difficulties, there’s been great feedback – so thank you! If you’ve enjoyed the first episode, don’t forget to subscribe.

Amateur Wine » HOTGV Podcast

Heard on the Grape Vine is also up on iTunes now so you can subscribe there too —> #HOTGV on iTunes <—

Second #HOTGV episode

If you’ve been waiting for the second episode of Heard on the Grape Vine, it’s now available over at Amateur Wine.

The second episode is alcohol-free and features Jameel Lalani from Lalani & Co on the world of fine teas.

The first time we met was perhaps five years ago to talk about the Japanese green tea matcha, a topic which we revisited. We also talked about the ageing ability of teas, food and tea matching and Lalani’s tea projects in Hawaii and east Africa. And some other fine tea related stuff.

Basically, it’s one for tea enthusiasts and connoisseurs alike.

Additional podcasting notes

If you’ve read my previous post on podcasting, you’ll know I had some trouble using the Roland R05, in that I didn’t realise I had to press record twice. For this second episode, I made sure that the screen said record, and not just stand by, which is just as well because I didn’t take a back up dictaphone.

So the second episode was recorded with the Roland R05 in its entirety and also the first episode to be recorded outside of my home office – you’ll detect the occasional background noise here which shows how important it is to have a quiet spot.

The thing that really stood out for me when it came to the edit was how three dimensional the recording was. You won’t detect this as much because of the edit but in the raw recording, the strength of the voice varied a lot according to where the speaker was. For example, the voice was a lot stronger when the speaker leaned forwards and significantly weaker when further away. It was easily fixable with the amplify function on Audacity but also contributed a lot more in the edit time (saved by the reduction in umms, yeses and aah that I stopped offering). I’ll need to adjust the settings on the R05 in the future, or at least keep my interviewee relatively still, but I think this shows how sensitive and geared to music the recorder is.

New project: #HOTGV and tips on podcasting

Inspired by the many wonderful podcasts out there (including the viral series Serial and James Ramsden’s wonderful The Kitchen is on Fire) and my current addiction to audio books (great for on the go listening), I decided to start my own podcast. On drinks.

So, after a week of jiggling and editing, and another couple thinking, planning and organising, I’m proud to present my first podcast: Heard on the Grape Vine.

Amateur Wine » HOTGV Podcast

For now, Heard on the Grape Vine, or #HOTGV, will nestle on my wine blog, Amateur Wine, where you’ll find it under the category of HOTGV Podcast. The first episode, available now, is on whisky – you can find it here.

The podcasting process

If you’ve listened to the podcast, you’ll have noted a few hiccups. As my first attempt at podcasting, it’s far from perfect. Most notably, you’ll notice the difference in sound quality from the introduction (before the music) to the main segment (after the music).

Let me explain.

I was doing some equipment research before embarking on the podcast and had read wonderful reviews about the Roland R05. At around £150, it was a heavy investment and, as it was primarily used for music recording, I wasn’t sure how well it would fare for audio.

Roland kindly loaned me a R05 to try for the podcast – this is the high quality introduction you hear at the beginning of the podcast and the outro at the end. The middle segment, that is, the interview bit, was actually recorded with the Olympus WS-321M that I already had. Both were recorded indoors and in a relatively noise-free environment, though by no means a professional studio.

I intended to record the interview on both but, because I didn’t realise that the Ro5 goes into standby before recording (you have to press the record button twice), I only had one audio sample by the end of the segment. Actually there were a couple of other embarassing bloopers on the day but needless to say, not having the required recording came up top.

As I had already recorded the intro and outro separately, I decided to just go ahead and edit the two recordings together. If nothing else, it perfectly demonstrates that sometimes not knowing your equipment well enough is enough to foil the best laid plans.

So with  my recordings to hand and a Royalty Free Music jig from Incompetech, I was ready to edit.

I downloaded Audacity, which I think many podcasters turn to. It’s free and fairly easy to get to grips with though all the files must be in WAV of mp3. (R05 records in WAV and WS-321M records in WMA and had to be converted.)

My 36 minute first offering was too large at 34mb to be uploaded to most free hosting sites for podcasting so I turned to podbean. My plan is currently $3 a month when paid annually – about £20.

And finally, after setting up feeds to iTunes and the likes, we have Heard on the Grape Vine.

Amateur Wine » HOTGV Podcast

Some tips on podcasting

If you’re thinking about podcasting too, here are a few take away tips to save you some time:

  1.  Make sure you’re familiar with your equipment – i.e. don’t do what I did. If you’re at home and podcasting on your own, this is relatively easy to rectify but if you’re out and about and need to interview other people, it’s much harder to get a second recording.
  2. Let your guest or co-host know that you’re just going to nod in agreement to the things that they say. This will cut out a lot of the “yes” and “mmm hmmm”, which you might find yourself having to edit out later on.
  3. Script your podcast, just a little. You don’t need to write everything out word for word but unless you’re very good at just talking about your topic sensibly non-stop, it’s worth to have a back up. My intro and outros took more than just a little time because I kept tripping up on the message until I had the words in front of me.
  4. You don’t need really expensive equipment – though it helps on quality. I’m planning to record most of my podcasts on the go so needed portable equipment. My WS-321M was around £60 when I originally bought it and it’s been great for journalistic work, though it’s no longer on the market. I thought about getting an external microphone for it, which would boost the sound quality and cut the noise but that would have been around £40 for a good quality compatible one. The R05 as I mentioned is around £150 but the sound quality is a lot better, this is what I’m planning on sticking to. You can hear the difference yourself.
  5. Capture those incidental sounds. One of the things that I really wanted to get across was the realism of the moment so I really liked the little tinkling of water been poured or the bumps of glasses being moved. For me, as a listener, it put me in the front row. I hope my podcast can do the same for you.